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 GOD BLESS ARTIST JOE  KIDD

A 1939 FREE HAND CHARCOAL DRAWING COPIED FROM A MAGAZINE TEAR SHEET IS OK.  TO PASS TIME IN VERY COLD WINTER MONTHS IN AMAWALK, SOME 50 MILES NORTH FROM NEW YORK CITY. AT 5 YEARS OF AGE, ONE OF MY JOBS WAS TO KEEP THE FIRE PLACE GOING. A BIT OF DRAWING, SNOW BALLING & PICK UP STICKS IS FUN.  ALSO WAS  OLD ENOUGH TO WATCH 5 FISH TIP-UPS EACH ON THE ICE WITH DAD!

THIS ARTIST WAS OFF TO A GOOD SELF START MAKING A VARIETY OF PROLIFIC SUBJECTS, BEAUTIFUL. .....CALLED PICKING A WINNER TO COPY, FROM THE FLYING CHINA CLIPPER SEA PLANE TO VARGA PIN UPS, WILDLIFE AND PARENTS AS A MODEL, ET CETERA.  TO BE SURE, THIS NON HOSTILE - NON HOMICIDAL [HARMLESS] WITH SENSE - FEELING, ARTIST ALFRED S. COSENTINO HAS ALWAYS MADE BEAUTY TO ADVANCE CIVILIZATION! ESPECIALLY IN THE SMALL TOWN OF YORKTOWN HEIGHTS, N. Y.  THIS WAS MORE POPULATED THAN THE FIRST DECADE OF LIFE [HAD THE GENES] THE BEST ITALO BRINGING UP, AS WELL AS A NATURALIST IN AMAWALK, N. Y.  THE AMAWALK POPULATION WAS NO MORE THAN 600 PEOPLE.  WHERE WE LIVED OFF THE GREAT LAND IN WESTCHESTER COUNTIES PHENOMENAL OUTDOOR LIFE OF BEAUTY IN EACH OF THE 4 SEASONS.  SOME 3 DECADES LATER L W I [LIVING WHILE ITALO] LEARNED THAT THIS HEMISPHERE WAS STILL OCCUPIED TERRITORY.  `I KIDD YOU NOT'.  GET TO KNOW THE MOST PROLIFIC ARTIST STEVEN R. KIDD, IN THIS HEMISPHERE. FURTHER ON IN THIS SITE, IS A BRIEF EXHIBITION OF HIS PEN AND INK PLUS COLOR ART!

THE ABOVE COPY ART OF 1939, IS WITH CHARCOAL,  WHICH IS THE ONLY ART WORK TO SURVIVE THAT LONG AGO [TO 2006] PLUS THE USUAL COLD WINTERS, BEGINNING FROM AMAWALK, N. Y.  OUR PARENTS MOVED US TO YORKTOWN HEIGHTS, THEN 9 MILES SOUTH TO MT. KISCO, N. Y.  DRAWINGS WERE DONE MOSTLY WITH PENCIL AND INK PENS.  NO LONGER WAS I COPYING TEAR SHEETS.  THE SUBJECTS TO DRAW WERE FROM LIFE [MY PARENTS FROM THE BACK SEAT OF A PACKARD DURING LONG TRIPS] AND VARIOUS STILL LIFE TO PRACTICE DETAIL.  NO CONCEPT COMPOSITION YET.  1946 WAS A VERY GOOD ART YEAR DUE TO SELF LEARNING.  OF THE MT. KISCO PREJUDICE HIGH FACULTY, THERE WERE 15 TEACHERS, ALL ONE RACE,  WHAT RACE ARE YOU, ARE YOU SAFE????? TURNS OUT TO BE IN THIS OCCUPIED TERRITORY, L W I [LIVING WHILE ITALO], HAS BEEN A SLAUGHTER .....DUE TO THEIR GENETICS. IT IS IN THE GENES.  BUT VERY VERY BRIEFLY, KEEP IN MIND, WHERE WE ITALO PARENTS WERE FROM!  ITALIA HAS BEEN THE MOST ADVANCED CIVILIZED RACE IN THE WORLD.  THE GARDEN OF THE WORLD WITH WALL TO WALL ART IS ONLY ONE CONVICTION OR PROOF.  MILLIONS MORE FROM 3,000 B. C. WERE INVENTED AND ACCOMPLISHED.  HOWEVER, OUR PRE HISTORIC PHENOMENAL PHOENICIANS AFTER 1,000 B. C., WERE NOT MORE THAN A MILLENNIUM APART ON SOLID GROUND.  THE ITALIC PENINSULA WAS OFFICIALLY ESTABLISHED IN 775 B. C.  THEY WERE OUR HISTORIC HERITAGE CALLED PHOENICIANS FROM PHOENICIA.  NOT SO VERY LONG AGO, THE LAND OF PHOENICIA BECAME AUTONOMOUS IN 3,000 B. C. THERE WAS NEVER PRIOR WORLDWIDE, A MORE PROSPEROUS CREATIVE NON HOSTILE OR HOMICIDAL NATION WHICH POPULATED THE SHORE LINES OF THE MEDITERRANEAN, INCLUDING OUT SIDE THE MED. SEA, AROUND NORTH AFRICA, ALSO THE NORTH ATLANTIC SIDE WHICH BECAME EUROPA.  FROM 1739, NO NATION BUT ITALIA WAS MORE INTERESTED IN THE TRUTH OF HISTORY AND METHODS.  THE ONLY TRUTH OF WHO IS WHO, IS IN THE GRAVES / MOUNDS / ET CETERA .....FOR THE ITALIA ARCHAEOLOGIST.  IN THE FIRST CENTURY FROM 1739, THEIR INTERESTS WERE PRINCIPALLY IN REBUILDING STANDING RUINS  WITH A LIMITED TIME DEVOTED TO EXCAVATING DWELLINGS. AFTER 2 CENTURIES THERE WERE SEVERAL FAMILY MEMBERS WHO WERE OWNERS OF FIAT S.p.A., INCLUDING THEIR WIVES `TO TRACE A RACE."  THEIR OWN, THEY WERE FIRST, THEN THE SAME FAMILY MEMBERS, FELT AS USUAL .....THE CAUCASIANS WOULD DEEP SIX WHAT EVER ITALO.  SOOOOOOOOOOOOOO, FIAT AND ITALIA PLANED ANOTHER `HOW TO TRACE A DIFFERENT RACE.  THEY HAVE THE BILLIONS.  "THE PHOENICIANS" OUR ONLY HERITAGE   HELD THE EXHIBITION IN 1989.  WHERE THE PHOENICIANS HAD A MAJOR TRADING SEA PORT NAMED VENEZIA [VENICE ITALIA].  THE SECOND FREE GIFT TO THE WORLD GIVEN BY ADVANCING CIVILIZATION SINCE THE PHOENICIANS IS MORE, GPAF, [GPAF GOOD POWER FORCE] THAN THE WORLD PUT TOGETHER.  ABOUT THE FIAT FAMILIES [HAVE YOU SEEN THE MEDICI GIFTS TO THE WORLDWIDE?], SECOND WONDER OF `HOW TO TRACE A RACE', WHICH HAS A HUGE UPAF /  UACE, [UGLY POWER AND FORCE / UGLY ABUSE CHEATING EXCLUSION].  TAKE A GUESS? 

               `EVERYTHING YOU KNOW IS WRONG'

SLAVE-0-MATICS Web site is like a mural, current as well as 8 decades gone by.  S-O-M seems to never fail, going face to face with each career ......requires a whole lot of shaking going on: to learn more skills  plus technical jar gain [html].  FAZA BEATS HTML!

 From 1963 there have been over 5,000 pages published concerning a new industry, sophisticated art beauty on wheels.  These 4 decades consumed 2,300 advertisements for S-0-M clients which were known as the one man COSE ADVERTISING AGENCY.  There was 97 percent creativity to acquire about 35 clients in a year or 2 .....right out of the box.  After the Army draft notice which was August  7, 1951 to August 7, 1953.  Cose Advertising Agency was a multi - multi skillful combination of: 1] seeking the very most variety of commercial accounts [2 next to design commercial layouts for ads - visual aids - use photography - compose text - place the ads with space sales person, 3] push hard with for clients to think esthetically and let L  W  I [Living While Italo] create serious fine art illustration in most mediums to make beauty small or big in ads and printed matter!  Of the technical part to be learned, there was no need of a hang-up!  S-0-M would take the job, consult with Joe Kidd, and other artists .....of info info way to go.  1] A Web site was not possible to be more then 2 or 3 percent creative, because, like the 5 Senators on the Savings and Loan new laws they made, failed. Their buddies from coast to coast and the 2 Bush Brothers kept hundred of millions with no refund or jail term!  The S & Ls were a 289 billion dollar loss.  All but one S & L banker  went to prison in California.  However, Keating was in and out as he pleased.  The latest amount of S & L White House criminals, we are in debt for interest since then for ever is 898 billion dollars.  This is how Bill Gates operates .....in another insane industry that is out of control. Smells like 5 other Senators on their [UPAF/UACE], UGLY POWER AND FORCE / UGLY ABUSE CHEATING EXCLUSION] senate committee that took bribes, to OK a monopoly for microsoft!  Which is a survivor far from perfect, but a hornets nest. WHICH SHOULD HAVE BEEN SOOOOOOO EASY .....JUST FOLLOW  CENTURIES OF AN INDUSTRY WHICH IS PROVEN. THE SAME SYSTEM AS MAKING UP AN AD IN COSE ADVERTISING AGENCY A CATALOG, PUBLICATIONS, ET CETERA.  Millions of firms have been using their own `House Ad Agency'.  S-0-M had the same from 1963 until 2002.  When L W I ended all the periodical ads [remember the 97 percenters you must use for your Web site]!  These 2 and 3 percenters should be like an Ad Agencies, at the very least and CHUCK HTML for every.  FAZA On Line began in the 13th of January 2005, along with 2 other Web sites to get-go- On Line. Meaning no longer does Slave-0-Matic have to give the Site Domain Names / on the phone / reply to an email or post mail them.  FAZA / ALFRED SLAVE-0-MATIC COSENTINO, HAS BEEN MAKING WEB SITES PAGES WITH THE USE OF `FRONT LINE', WHICH IS FAR FROM PERFECT. ON LINE NOW IS 97 PERCENT OF A MAJOR PART, # 2. THE DOMAIN NAME IS artistryprolific.info.  WHICH  IS UNDER SLAVE-0-MACTICS CONSTRUCTION IN 2 COMPUTERS SINCE JANUARY 13, 2005. THE #2 IS artistryprolific.info    and    italysfamousexhausts.info  WILL BE # 3, but both domain names are links.  You  must click this first  # 1, fazaabarth.info IS THE DADDY OF THEM ALL WHICH IS BIGGGGGGGGGG, BECAUSE SLAVE-0-MATIC IS 24 - 7 WITH NO EMPLOYEES SINCE MID 1986.  GOING ON LINE IS ENOUGH TO MAKE SENSE BUT NEEDS A LOT OF: EDITING / GRAPHICS / FOTOS / GRAMMAR / ET CETERA CLEAN UP!  YES, IT IS THE [UPAF], UGLY POWER AND FORCE OF N. Y. STATE B. O. EDUCATION WHICH PROGRAMMED US ITALOS AND NEGROS FOR THEIR ABUSIVE SERVITUDE. AGAIN, OF THE MAJOR SITE, THERE ARE SO MANY.  ONLY 4 PAGES TO SHOCK ON LINE OF 900 PLUS MORE UNDER CONSTRUCTION    #1 fazaabarth.info   

S-0-M MURAL IS AS GOOD, AS MEMORY HOLDS OUT!

IN THE WINGS .....MORE THAN 3,000 CHOCK FULL PAGES AFTER SEPTEMBER 1991 SLAVE-0-MATIC HAD THE 1ST PC/1ST TO TYPE/ WHICH WILL BE ABOUT 542 PAGES.      

Before the artist Joe Kidd moved to Mt. Kisco, New York the State B.O.E. program for Negros and Italos, included the 7th and 8th grades and prejudiced high.  From 1942 to 1947, Anglos were the heaviest brain washing years, which destroyed our  heritage tradition for a right to accomplish our chances advancing civilization! !Italia invented advancing civilization to become the most civilized country on Earth before B. C.  Because of the Jealous / Racist / Greedy Anglos, we lost all our history and identity.  So much so, that all of us first generation L W I [Living While Italo] were programmed for their labor force, Negros and Italos were 1st to die in White WARS!

OCTOBER 18, 1946, A BIRTHDAY, ASKED MY PARENTS TO LET ME SKIP SCHOOL ALONE TO HUNT DUCKS.  THAT IS A 12 GAUGE SHOTGUN WHICH BROUGHT DOWN 2 BLACK AND 2 MALLARD DUCKS.  FISH / GAME / IN 1946 WAS ALSO A VERY GOOD YEAR.  ADDED WAS THE FIRST TRAPPING LINE, WHICH NEEDS BOTH A VERY COLD WINTER AND A STEEL BODY PARTS [HANDS AND FEET].  TIME FOR ART WORK CAME FIRST.  THEIR ONLY SCHOOL TEACHER FROM THE 7TH GRADE ON, WAS NOT ONLY ZERO  HELP, ALSO THE CLASSES NEVER SAW HERE DRAW OR USE AS MUCH AS WATER COLOR.  SURE SHE USED THE SLAVE DRIVERS LOCKING ELBOWS, FROM ALL THE FACULTY MISS. GORTON WAS JEALOUS FROM THE START, INCLUDING THE ENTIRE MT. KISCO PREJUDICE HIGH.  L W I [LIVING WHILE ITALO] WAS NOT IN SCHOOL FOR ART PLUS ACADEMIC CLASSES, BUT TRAINING FOR THEIR LABOR FORCE PLUS THE ARMY INFANTRY.  GORTON WAS A DANGEROUS EVIL FAILURE, NOT US L W I VICTIMS .....L W I.  WE ARE THE INVENTORS OF ADVANCED CIVILIZATION BUILDER OF THE FIRST CITY [BYBLOS 3,000 B. C].  NOW LEBANON BY OUR PHOENICIAN RELATIVES IN 3,000 B. C. 

OUR GRAN PARENTS LOST THERE BUSINESS BECAUSE THE ANGLO-SAXONS WERE 97 PERCENT MORE THAN CRIMINAL AND GENOCIDE.  WHEN THEY WERE COVERED FOR THEIR FRAUD PLUNDERING STOCK MARKET CRASH OF 1929, THESE UPAF / UACE WAS SET-UP GENOCIDE FOR THE THOUSANDS .WHO COMMITTED SUICIDE DUE TO THEIR LOSS OF EVERY THING, EVERY THING.  OUR PARENTS PAID TAXES FROM 1927, THE SAME AS THE WHITES.  BUT WE ITALOS WERE A 3RD RATE RACE BY THE WHITES .....WHY DID WE HAVE TO BUILD THE LARGEST 4 CITIES, WHILE IN THEIR OCCUPIED TERRITORY, COPY ITALIA ARCHITECTURE?  FROM 1904, THE LABOR SIGNS RATES WERE THE SAME CONTROLLED BY THE A - S CAUCASIANS TO MANUFACTURE SLAVERY RACE BY RACE, BY RACE TO SURVIVE.  WHY MUST WE HAVE TO SURVIVE WHEN WE CAME FROM ITALIA `THE GARDEN OF THE WORLD'?  TO SEE THE ANGLO-SAXON HELP WANTED SIGNS.  ONE OF THE ORIGINAL LABOR SIGNS WAS SEEN  FRAMED BY ANOTHER ARCHITECT MR. MARRA, WAS VISITING.  THE OFFICE WAS IN ONE OF THE TRADE TOWER BUILDINGS .....

                                                                  HELP WANTED- WHITE MEN $3.00 A DAY

                                                                                                    NEGROS $1.50  A DAY          

                                                                                                  ITALIANS $1.00  A DAY

HAVE YOU EVER HEARD THAT THE 4 MAJOR CITIES OTHER THAN WASHINGTON D. C. WHICH WAS BUILT BY NEGROS WITHOUT PAY?  SLAVE-0-MATIC WAS NOT AWARE OF THIS UNTIL THE RADIO CALL LETTERS OF K P F K FROM LOS ANGELES KNEW `HOW MUCH L W I HAS FOUND OUT.  THAT 97 PERCENT OF THE U S A HISTORY WITH HARDLY ANY PEACE TIME, UPAF / UACE, CORRUPTION, FAILURES AND GENOCIDE BY THE GOVERNMENT THAT RULES THE WORLD .....THE UNITED KINGDOM OR USA?  WITH BOTH OF THEIR WARRING RECORDS, JUST THE USA, WAS CLOSE TO 100.  THIS WAS FROM 1989 K P F K RADIO [THE UNDER GROUND], HAS BEEN INFO, INFO, INFO, ABOUT 17 YEARS OF THE TRUTH WAS `EVERYTHING L W I KNEW UP TO 1989, WAS WRONG!'  INCLUDING THE KILLER INSTINCT OF 18 TOTAL EMPIRE STATE B. O. E. ANGLO-SAXON TEACHERS WERE FAILURES AS SLAVE-0-MATIC TO INFO, INFO, INFO, HONEST EDUCATION.  BUT THEY SUCCEEDED IN MENTICIDE  OR MARTRICIDE BRAIN WASHING YOURS TRULY THAT LASTED 97 PERCENT UNTIL K P F K!  OUR HELL ABOUT THE 4 CITIES: CHICAGO PHILADELPHIA NEW YORK, THEN BOSTON WERE BUILT VERY WELL BY OUR RELATIVE SLAVES IN THE U S A.  HOWEVER, WHERE WERE THE ITALO ARCHITECTURE .....FROM THOSE FIRST 2 DECADES OF THE 20TH CENTURY, NO BLUE OR WHITE COLLAR RATED, ALSO PROFESSIONALS COULD NOT HAVE A VISA TO CREATE IN THE USA FOR 5 YEARS, BUT PAY AN ATTORNEY TO WAIT 8 AND 9 YEARS TO EMIGRATE!  

Very very briefly / very very truthfully this same sign reached all the way to San Francisco.  More is torture, for our gran parenti who came from The Garden Of The World to care less, but to: get rich / on the run / too lazy and selfish / to see the world / or to take it.  You can not go home again .....you are entrapped to become a slave, compared to the most civilized race, almost 2 thousand years ago!  Italia invented and improved on civilization from our founders, why not! Their heritage are the Phoenicians of Phoenicia which became Lebanon ESE.  Because Phoenicia became autonomous in 3,000 B. C.  They were the first race to invent the GPAF, [GOOD POWER AND FORCE] dynamic advance in civilization. In 3,000 B. C. they were first to build a city / government buildings / community buildings and dwellings. At last Phoenicia [Italia] has been waiting since 1739, while 97 percent of Italia archaeologist have been excavating and exploring the bottom of the entire perimeter of the Mediterranean sea. EVERYTHING YOU KNOW IS WRONG.  For 1,500 years B, C., Phoenicia populated the entire Med, perimeter .....with out an ARMY.  Phenomenal Phoenicia history is safe, artifacts are in museums and collectors but when will Italia [Palazzo Grassi] have available D. N. A.?   At the end of 1979, D. N. A. became available. A Pyramid is a picnic. The P. P. are a lovely friendly sharing live and let live, INTELLIGENT, INVENTING INVENTIONS followed by production, followed by marketing, by distributing products whole sale with their famous SAILING FLEETS going outside of Gibraltar, south on the north Africa coast / then sailing the north Atlantic as far as what now is the southern coast of France.  P. P. history is sooooooooooooooooooooooo interesting, the top of the MOUNTAIN PART OF A WORLD IN PEACE.  Until their clients [ Kingdoms / Realms / Domains / Potentates / et cetera] became Jealous / Racist / Greedy.  For half a millennium plus the P. P. held on after tribute annex plunder invasions after the gem of the earth was no longer.  Maybe you have heard of Cartage [in North Africa], which was one of many many P. P. cities and settlements.  Further on is more info, info, info, regarding how the everlasting Med. population of  pure Phoenicians, 97 percent were settling in the Italic Peninsula   Much easier were the islands of Sardinia and Sicily to find a new home when most all of Phoenicians were driven out.  Do not be fooled by other autonomous people which began to settle 10 or more areas of  the Italic land from 1,200 years B. C. to 7 centuries B. C.  There were very few POWER AND FORCE returns again.  Roma [Romantica]  in 775 B. C. was officially the Capitol city of Italia.   

MY PARENTS AND GRAN PARENTS WERE TOO GOD DAMN PATRIOTIC .....TRUSTED THE TEACHERS, [THE ENEMY] BECAUSE WE HAVE SENSE - FEELING LIVE AND LET LIVE.  IN 1946, IT WAS MY IDEA TO ASK BOTH PARENTS IN ARRANGING FOR A LOCAL ARTIST VISIT TO OBSERVE A PROFESSIONAL IN HIS STUDIO CREATING PICTURES.  THIS WAS THE FIRST CHANCE TO LOOK AHEAD, ADVANCE LIFE BY CONTINUING OUR PAST ITALO CIVILIZATION IN THE NEAR FUTURE.  NOT TO WORRY IF DRIVING A TRUCK OR BECOME A BUCHER IN A SUPERMARKET.  THERE IS MORE NEED TO MAKE BEAUTY WITH THE ARTS / MAKE PLEASURE / DISSEMINATE INFO INFO INFO .....ET CETERA.  AN ARTIST VISIT TOOK PLACE AT HAL STONE'S STUDIO IN MT. KISCO.  VERY SOON AFTER MY INTRODUCTION TO ARTIST HAL STONE, ANOTHER ARTISTS ARRIVED.  IT WAS JOE KIDD, A LONG TIME FRIEND OF HAL STONE, WITH WHOM THEY BOTH STUDIED UNDER HARVEY DUNN.  THIS HEMISPHERES OUT OF REACH, MOST BEAUTIFUL PAINTER OF PROLIFIC SUBJECTS AND MOODS.  BACK TO MT. KISCO PREJUDICE HIGH.  A YEAR LATER THE EVIL ONE, IN FRONT OF [L W I], `LIVING WHILE ITALO IN OCCUPIED TERRITORY' TOOK 3 POINTS OFF OF THE 75 POINT AS A PASSING GRADE BY EVERY FACULTY, WHICH WAS FROM OTHER SOUTHERN STATES.  GRADUATION IS A CRIME.  THIS WAS THE EMPIRE STATE CAPITAL IN ALBANY WHICH HAD THE B. O. E.  PROGRAMMED TO KEEP US STUPID / IGNORANT / HATE OURSELVES / ANGER US TO GET IN TROUBLE / WHERE WAS EQUALITY / WHERE WAS HAPPINESS - SELF ESTEEM / WHERE WAS OUR IDENTITY / IT WAS FOREVER SERVITUDE.  THE SAME MOB CAN NOT GET OUT OF BEING HELD HOSTAGE YET.  TWELVE WASTED YEARS IS A CRIME BY THE UPAF / UACE [UGLY POWER AND FORCE / UGLY ABUSE CHEATING EXCLUSION] IS THE PERFECT TRUTH COMING FROM THE GPAF [GOOD POWER AND FORCE].  SUMMER SCHOOL HERE COMES L W I FOR 3 POINTS.  IT WAS TORTURE THAT MEANT HITCH HIKING TO WHITE PLAINS AND BACK.  POINT BLANK .....THE N. Y. EMPIRE STATE B. O. E. WASTED 12 YEARS OF L W I PUBLIC SCHOOL, PLUS 7 WEEKS HITCHING FOR 3 POINTS.  FROM THE 7TH GRADE, IT WAS GORTON AND THE REST OF THE MOB THAT COULD NOT WAIT TO FAIL L W I.   WHICH WOULD MURDER ALL OPPORTUNITIES.  REGARDLESS, THE UPAF / UACE MOB ARE THE FAILURES.  ALL THE FACULTY LOCKED ELBOWS.  NOT ONLY WHERE THEY ONE RACE [WHICH THEY WERE RESPONSIBLE OF L W I BEING CAUCASIAN], BUT WERE ALL ANGLO-SAXONS USING THE WORD E M P I R E OF N. Y. STATE, TO RIDE HEARD.  BRAIN WASHING THEIR OWN NATIONALITY PLUS THE REST OF THE WORLD, WHICH EVERY PRESIDENT HAS BEEN AN INVADER PLUS USED GENOCIDE.   

                                                      `EVERY THING YOU KNOW IS WRONG'

 .... SELF TAUGHT ART BEFORE JOE KIDD .....the number 3 rated most prolific artist in this hemisphere!  What the popular rated artist in the top ten evaluated by the UPAF [UGLY POWER AND FORCE], MUSEUMS / GALLERIA OWNERS / COLLECTORS / MEDIA / CRITIQUES / ET CETERA. ALL HAVE VERY POOR ESTHETIC SENSES.  YOURS TRULY HAS PROOF OF THE COMPARISON LIVING THE ART FOR 7 DECADES ON THE SIDE OF REAL MEN FIRST, NEXT THE TOP 3 ARTIST IN THIS HEMISPHERE. THEY ARE HOWARD PYLE BORN 1848 / HARVEY DUNN BORN 1884 / JOE KIDD BORN 1911.  THESE ARE THE [TGPF], THE GOOD POWER AND FORCE REAL ORIGINAL MEN WHICH HAVE INSTRUCTED OVER 50 PERCENT OF PROFESSIONAL ARTIST FROM HOWARD PYLE FOR OVER 30 YEARS.  NEXT, IN 1904 A STUDENT OF PYLE, WAS HARVEY DUNN 1904.  ONLY 2 YEARS OF PYLE'S INSTRUCTIONS, HARVEY DUNN BEGAN TO INSTRUCT ARTISTS AND TAKING BOTH COMMISSIONS PLUS ILLUSTRATIONS.  JOE KIDD WAS GIVEN A SCHOLARSHIP FROM THE CHICAGO INSTITUTE OF ART TO THE ARTS STUDENT LEAGUE OF NEW YORK.  JOE WAS HARDLY 16, ON HIS OWN, BUT 2O TO 30 YEARS MORE MATURE THAN YOURS TRULY AT 16. `HOLD TIGHT FOR THIS TO COME.'  WHEN JOE WAS 19 IN TBRR, [THE BIG RAT RACE], HE WAS IN HIS PRIME .....MEANING, HE HAD CONQUERED THIS HEMISPHERES PEN AND INK GREATEST ARTISTS.  BETWEEN 16 YEARS OF AGE TO 19, ASK JOE WHICH ARTISTS WERE RATED IN EVERY MEDIUM WORLD WIDE.  THE SAME YEAR, 1929 TOP OF THE MOUNTAIN WAS SELECTED TO BE HARVEY DUNN'S INSTRUCTOR.  HARVEY DUNN LOST HIS HOWARD PYLE BY A VIRUS, NOT LONG AFTER HE MOVED HIS FAMILIA TO `THE WALL TO WALL ART' AND CHOSE FIRENZE, ITALIA. FROM 1929 UNTIL 1942, JOE WAS AT DUNN'S GRAND CENTRAL PRO ARTIST LOCATION ON THE 7TH FLOOR 2 TIMES A WEEK.  THERE IS NO SIMILAR CULTURAL GPAF SUCCESS OF THESE 3 ARTISTS, WHICH NOT ONLY RATE 1 / 2 / 3 IN THIS HEMISPHERES IN MAKING BEAUTY .....MAKING ARTISTS LIKE NO OTHER INSTRUCTORS.  PYLE GAVE 34 YEARS, DUNN 34 YEARS, KIDD STARTED IN 1947 AT THE NEWARK SCHOOL OF FINE ARTS.  JOE WAS CALLED ON BY MR. STUART KALONA'S OF THE ARTS STUDENTS LEAGUE TO INSTRUCT, A CLASS OF THE WORKS .....WISH L W I WAS THERE 2 DAYS A WEEK.  JOE GAVE UP THE MISERABLE IDIOT ART DIRECTORS IN TBRR. TO SHOW HIS SOUL AND PITY, LIKE PYLE AND DUNN .....THIS IS PROOF OF GREATNESS, SOOOOOOOOOOOOOOO ONE MUST `LET IT FLOW.'  THERE ARE A LIST OF MUSEUMS, ART COLLECTORS, FUDDY-DUDDY GALLERIES, JACK ASS CRITICS AND THE MEDIA .....WHICH NEVER HEARD OF: JOE KIDD `JUST LET IT FLOW JOE'!  THERE WERE NOT ONLY THE TOP OF THE MOUNTAIN ACHIEVEMENTS, BAR NON OTHER THAN THESE 3 MOST RATED ARTISTS.  WHICH IN ORDER CAME, HOWARD PYLE - HARVEY DUNN THEN JOE KIDD.  JOE GAVE THEIR COMBINED GLORY OF DISSEMINATING THE MOST OF PYLE, DUNN AND HIMSELF.  THERE HAS NEVER BEEN 2 OR 3 ARTISTS COMBINED, RATED, IN THE TOP 50 MAKING BEAUTY OR INSTRUCTING!  JOE KIDD GAVE HIS FIRST PROLIFIC CLOUD 9 WORLD TO NEWARK, N. J. ART STUDENTS.  WHEN THIS ART SCHOOL CLOSED, JOE WAS CALLED ON BY CHAIRMEN STUART KOLONUS OF THE ARTS STUDENTS LEAGUE IN N. Y. C.  THIS WAS IN 1957, WHEN JOE LEARNED ABOUT THE OFFER, HE MAY HAVE CRIED, THEN BEGAN JUMPING FOR JOY FOR THE REST OF 28 YEARS.  HOWEVER, DID YOU KNOW, THE YEARS THAT WERE FREE TO HIS PRO ARTISTS AND ART STUDENTS ALWAYS LISTENED WHEN JOE SPOKE `SAME HERE'.  NOT ONLY AFTER THE SCHOOLS, BUT HIS HOUSE WAS CROWED WITH THE COMING AND GOING ARTIST PROS AND STUDENTS.  IF NOT, JOE IS ON THE MOVE TO THEIR HOUSES, WITH ART SUPPLIES TO SHARE.  WHERE EVER JOE WAS TOGETHER OR NOT, EVERYONE KNEW THESE WORDS WERE THE TOP OF THE MOUNTAIN TIME ....."SHUT UP AND PAINT"! THE PUBLICATION TITLE IS "SHUT UP AND PAINT" !  WHICH L W I SUGGESTED IN 1979, MAKE TIME TO WRITE MANY CHAPTERS AND MAKE IT FLOW. PRODUCTION & PRINT COSTS TO ALFRED COSENTINO SOLO BOOKS. INFO

     INEQUALITY ENTRAPPED LOST IDENTITY .....BEFORE JOE KIDD.

THESE ARE PENCIL DRAWINGS EXCEPT FOR THE TOP CENTER SKETCHES IN PEN AND INK. THE YEAR IS 1946 TAKEN FROM STILL LIFE, BUT FOR THE PEN AND INK. THIS GROUPING FOR SALE IS 50 X 26  INCHES HIGH AND FRAMED.  THE PRICE IS $1,950.00.   

A FISHING CREEL IS SO UNIQUE, THEY ARE MADE FOR `BROOK TROUT ONLY', OWNED BY THE ARTIST.  TROUT SEASON OPENED THE FIRST SATURDAY OF APRIL.  THE AMAWALK STREAM MERGED WITH A MORE STEADY FLOW FROM THE OUTLET OVER THE DAM OR FROM UNDERGROUND OUT OF AMAWALK LAKE.  ALTHOUGH WE MOVED FROM AMAWALK TO YORKTOWN IN 1939, MY FATHER TOOK ME BACK TO THE AMAWALK STREAM, 9 YEARS STRAIGHT FOR TROUT SEASON OPENING DAY.  DATED 1946 PAPER SIZE IS  18 X 12 INCHES, PRICE IS $500.00

OF THESE 5 DIFFERENT SUBJECTS [A GROUPING], PEN AND INK IS THE MEDIUM TO MAKE STRONG LINES THAT MAKE PICTURES.  LINES ARE NOT EASILY ERASED LIKE PENCIL AND CHARCOAL. THIS WAS THE FIRST SERIES EXPERIMENTING WITH INDIA INK.  DATED FEBRUARY 24, 1947 [BEFORE ARTIST JOE KIDD], THE GROUPING SIZE IN  INCHES IS  12 X I4 INCHES HIGH, THE PRICE IS $700.00

THIS IS A BROWN TROUT WHICH IS LARGER THAN OTHER TROUT IN THE AMAWALK STREAM.  THE SAME WHEN THIS STREAM MEETS BROTHERS BROOK CREATED FROM THE WATER OF THE AMAWALK DAM.  THE PAPER SIZE IS  12 X 14 INCHES WIDE, MADE WITH AN HB 4 SOFT PENCIL, THE PRICE IS $600.00.   

ANOTHER STILL LIFE AND SOLE OWNER OF THE ARTIST'S BASEBALL GLOVE.  THE PENCIL IS A VARIETY OF HB 2 TO 6.  THE PAPER SIZE IS 18 X 12 INCHES HIGH AND PRICED AT $600.00 

A LADIES HANDBAG OWNED BY CLARA COSENTINO, MOTHER OF THE ARTIST'S BORROWED FOR A STILL LIFE TO GET A HEAVY BLACK CONTRAST BY USING AN HB 6 PENCIL.  THE SIZE IS 18 X 12  INCHES, PRICED AT $600.00

LAST AND NOT MUCH FUN IS THE DEAD STILE LIFE AT THE BOTTOM CENTER SECTION 9 X 12 HIGH AND $400.00.

WE [SLAVE-0-MATIC] ONE SISTER PLUS 11 L W I COUSINS WERE BETWEEN A 100 MILE RADIUS FROM UPPER NEW YORK STATE / ELIZABETH N. J. / LONG ISLAND / BROOKLYN.  OUR PARENTS IMMIGRATED FROM THE ISOLA di CAPRI TO A REGION ABOVE THE ANKLE OF THE BOOT OF ITALIA FACING THE ADRIATIC SEA.  "THEY COULD NOT GO HOME AGAIN", TO THEIR HORROR, MEN WERE PAID THE LOWEST WAGES FROM THIS COAST TO THE WEST COAST.  THE SAME HELP SIGNS READ <WHITE MEN $3 A DAY / BLACK MEN $1.50 A DAY / ITALIAN MEN $1 A DAY.  THE BLACKS AND ITALOS HAD NO EQUALITY NOR OPPORTUNITIES BUT TO ACCEPT SERVITUDE.  THEY WERE FOOLED THINKING EVERYONE COULD GET RICH, WHICH THEY COULD HAVE BUT WERE `CUT  OFF A THE PASS'.  THE 13 OF US 1ST GENERATION L W I IN OCCUPIED TERRITORY WERE HOPELESS, BUT FOR 2 AND 3 PERCENTERS.  HOWEVER, FOR THE CAUCASIANS, THEIR SKY HAD NO LIMIT.  ONLY THE GARDEN OF THE WORLD , WITH WALL TO WALL ARTI, `I KIDD YOU NOT' AND NO WHERE ELSE!

FIRST TRACT EXPERIENCE WAS IN SENIOR YEAR, ONLY ONE-OFF RECORDS.

THE ONLY POSITIVE LIME LIGHT AMONG 18 ANGLO FACULTY WAS THE SHOCK THEY HAD TO DISH OUT THIS LETTER FOR SLAVE-0-MATICS SENIOR YEAR RECORD 48 POINTS FOR ALL THEIR HISTORY OF TRACK MEETS.  THESE FOTOS WERE POOR ENOUGH 59 YEARS AGO.  AGAIN, FOR THE SECOND TIME, ALL 20 OF US WERE ALL NON HOSTILE - NON HOMICIDAL OF GREAT TEEN AGERS. NOT SO MUCH ABOUT THEIR COMPETITIVE SPORTING GAMES BUT NEITHER OF US HAVE EVER BEEN DISGRACEFUL OR HARMFUL BUT HARMLESS.

SLAVE-0-MATIC IS STANDING 2ND FROM THE RIGHT, WITH ARMS DOWN.  WITH LEGS AND ARMS FLYING

HIGH IN THE BOTTOM NEGATIVE FOTO IS S-0-M [SLAVE-0-MATIC] IN THE RUNNING BROAD JUMP.

THE JUMP FOR JOY FOR EVER

WHITE BODIES AWAY FROM THE UPAF / UACE AT A TRACK MEET SCHOOL IN CROTON ON THE HUDSON RIVER. THIS SAME TEAM, HELD TOGETHER FOR 4 YEARS .....BUT FOR SLAVE-0-MATIC.  CIVILIZATION HAS CERTAINLY FELL OFF A CLIFF, NOT THIS GROUP.  EVERYONE IN THIS 1947 FOTO WAS NEVER IN ANY KIND OF A THOUSAND WAYS TO MAKE TROUBLE.  TAKE A SIMILAR TRACK MEET GROUP FOTO TODAY OF A MT. KISCO PREJUDICE HIGH SENIOR CLASS, GIVE IT UP.  BY LUCK, OF THIS SAME GPAF TRACK MEET THAT SLAVE-0-MATIC HAD THE RECORD 48 POINTS.  IT HAPPENED AT MT. KISCO PREJUDICED HIGH WHICH WAS A SCHOOL RECORD.  THERE WAS ONE MORE RECORD AFTER THAT SAME DAY THE BUS RETURNED.  GO TO WORK AT JERRY'S AS LATE AS MIDNIGHT.  ADD THE DRIVE IN YOUR SPIRIT THERE IS GOING TO BE A LONG LIFE OF PREJUDICED / INEQUALITY / OUTLAWING / DUE TO ACHIEVEMENTS / MAKING BEAUTY.  AS A RESULT, TOO TOO OFTEN IN THIS OCCUPIED TERRITORY, THE UPAF / UACE, [UGLY POWER AND FORCE / UGLY ABUSE CHEATING EXCLUSION] ARE CONTROLLING, THERE ANTI LIVE AND LET LIVE INHUMANE NATURE.  WHAT RACE ARE YOU .....HAS TURNED THE WORLD BACKWARDS .....INSTEAD OF ADMIRERING  EACH OTHER, WE ARE THE BUILDERS WITH ALL OUR `GOOD POWER AND FORCE,' THE RESULTS IS, THEIR EVIL JEALOUSY / RACISM / GREED, HAS BEEN OUR DESTROYERS.

FROM THE SPRING OF 1946 ON, HOW MUCH MORE CIVIL LIFE WAS AWAY FROM MT. KISCO PREJUDICED HIGH.  OPAQUE WATER COLORS WERE USED DURING THE 4 SEASONS TO PAINT OVER MIRRORS BEHIND JERRY'S BAR & GRILL.  THE OWNERS WERE MY PARENTS LOCATED ON EAST MAIN ST. IN MT. KISCO, N. Y. 

  THESE RATHER CORNY PICTURES WERE PAINTED IN COLOR, PRACTICE MAKES PERFECT.  MT. KISCO PREJUDICED HIGHS' 15 ANTI ITALO FACULTY, FAILED [L W I] LIVING WHILE ITALO, MAJORING ONLY

IN ART CLASS FROM MID 7TH GRADE TO A SENIOR YEAR WITH ONLY ACADEMIC STUDIES.        

LOOK MOM [WAS THE CHIEF CHEF], WHEN FATHER LET THE MALE CHEF GO. NO FOTOGRAPHS OR COPIES OF OTHER ARTISTS COMPOSITIONS .....TUTTO ORIGINALE ! 

SOME HOW SLAVE-0-MATIC HAD A LOT OF ACTIVITIES TO GET SERIOUS ABOUT.  SEVEN TEEN WAS THE BEST YEAR IN A DECADE.  NO MORE PUBLIC SCHOOL DESTRUCTION / TORTURE OF ITALOS AND NEGROS. THIS OPPORTUNITY TO BE OUTDOORS TRAPPING MUSKRATS WAS A HARD LIFE FOR ALL.  VERY FEW OUTDOORS MEN HAVE  HAD THE OPPORTUNITY TO EXPERIENCE THIS LIVING.  PUTTING TRAPS WITH BARE HANDS UP TO BICEPS, AFTER THE ICE IS BROKEN WITH BOOTS.  THIS IS WHERE SOME OF THE DRIVE CAME FROM.  WHEN A HAND FULL OF CAREERS WAS A MUST [ONE AFTER THE OTHER].  S-0-M OFTEN THINKS BACK OF 3 WINTERS FROZEN OVER TO RUN A TRAPPING LINE.  EVERY OTHER PROLIFIC ACTIVITY IS NOT AS HARD, INCLUDING 20 FAZA SQUADRA RACING YEARS OF THE SAME RACE DESTROYING S-0-M HELL ART ON WHEELS.  S-0-M AGREES WITH HARVEY DUNN, MAKING BEAUTY THE ARTIST WAY IS THE HARDEST! 

THE DATE TO REMEMBER .....SEPTEMBER 17, 1947, AND FORGET MATERIALISM FOREVER! WITH THE PROLIFIC ARTIST JOE KIDD, WAS IN HIS PRIME AND FAMOUS AT THE AGE OF 19!  L W I IN 1947 BEGAN TO FOLLOW KIDD'S INSTRUCTIONS [MITF], MORE IN THE FUTURE.

THIS IS EXACTLY 1985 WHERE JOE ANSWERED, A QUESTION WHICH WAS NEVER THOUGHT OF FROM EYE TO EYE IN SEPTEMBER 17, 1947. "JOE, WHEN WERE YOU IN YOUR PRIME? JOE REPLIED, "I WAS 19!"  THIS IS BROTHERS BROOK IN AMAWALK, N. Y.  WHERE FROM BIRTH, THE 18TH OF OCTOBER, 1929 WE LIVED OFF THE 4 SEASONS OF: LAND / WATER / SUN / SKY [TO SHOOT GAME BIRDS].  MT. KISCO IS A 9 MILE DRIVE HERE IN AMAWALK, WHEN L W I WAS 17, JOE WAS 37.  IN ONLY 400 YARDS FROM WHERE JOE HAS [WHILE SLAVE-0-MATIC USES A CAMERA], CREATED OVER 50 PAINTINGS [5 ARE HERE].  IN HALF OF THOSE TRIPS, MANY OF JOE'S  STUDENTS MADE ALMOST 100 PAINTINGS.  JOE SAID, "THEY ALWAYS MADE A GOOD PAINTING". 

THIS HEMISPHERE HAS NO EQUAL OF STEVEN R. KIDD'S [JOE] PROLIFIC MASTER OF SUBJECTS, THE MOST MEDIUMS OF ART BEAUTY IN PICTURES.  JOE KIDD, THE MASTER MADE THE CONNECTION, "WOULD YOU LIKE TO STUDY WITH ME?" L W I [LIVING WHILE ITALO] ON MAIN ST. MT. KISCO.  AFTER JOE AND HIS WIFE DINED AT JERRY'S, AND CROSSED THE STREET TOGETHER TALKING ART.  WE STOPPED TO LOOK BACK AT JERRY'S, WHEN JOE SPOKE HIS MAGIC WORDS.  ABOUT TOMORROW, SEPTEMBER 17, 1947 AND THE PAST UPAF / UACE UGLY POWER AND FORCE / UGLY ABUSE CHEATING EXCLUSION PREJUDICED HIGH FACULTY, FAILED L W I IN ART.  THE NEXT DAY, WE WERE [TGPF], THE GOOD POWER AND FORCE OF OUR AIM WHICH BEGAN ART INSTRUCTIONS ONE ON ONE IN JOE'S STUDIO! 

THE FIRST DAY SEPTEMBER 17, THE FIRST INSTRUCTIONS BELOW WAS PART OF JOE'S ENCYCLOPEDIA IN HIS MEMORY TO DISSEMINATE TO THE FULLEST.  FURTHERMORE, JOE HAD A LIBRARY OF PUBLICATIONS CONCERNING EVERYTHING ART.  MT. KISCO PREJUDICE FACULTY PLUS 70 YEAR ART TEACHER MISS. GORTON, THAT IN 5.5 YEARS, WE NEVER SAW SO MUCH AS 3RD GRADE STUDENTS COLORING PICTURES.  JUST THAT VERY FIRST REAL ART BY A PHENOMENAL MASTER WHO, ALSO ENJOYED TO GO ONE ON ONE WITH:  NO ATTITUDE / MUCH RESPECT / TO REALIZE THE GREAT SILVER PLATTER JOE HAS HANDED LWI.

Thomas Heart Benton / John Stuart Curry / Dean Cornwell are 3 of the top Mural painters in this hemisphere.  This is L W I for the first time to use a brush, the very first instruction by Joe Kidd to point out BLACK / WHITE / GRAY.  This was copied from Dean Cornwell's art, the most numero uno muralist, Benton and Curry were all professionals .....before they began studying with the Great One, Harvey Dunn.  Joe Kidd was the youngest professional to be welcomed into Harvey Dunn's [GPAF], GOOD POWER AND FORCE class, of pros only.  Joe joined the class in 1929 at TBRR, [THE BIG RAT RACE] N. Y. C. Grand Central Building for 12 years, take the elevator from GATE 27, to the 7th floor.  WWII ended Dunn's Cloud 9 World Of Art INSTRUCTIONS.  About early 2005 the radio station of KPFK has a half hour program about Art, not the ARTS.  Glad the 2 males were 97 percent art educated, how did the guest know to speak about how only 3 artist stand out as art instructors [teaching].   The narrator agreed.  To quote the guest that, "Howard Pyle Harvey Dunn and Robert Henri, are the 3 best [or greatest] teachers.  True about Pyle, true about Dunn, not true about Henri.  True about Joe Kidd, who belongs in Henri's place.  L W I seems to ring a bell about the Arts Students League in TBRR, [THE BIG RAT RACE] New York City, that Henri taught for a long time.  L W I was taking instructions from Robert Beverly Hale [the protégée to George Bridgman].  The Art Students League has been open for over a century.  This school was also George Bridgman's way of his life, plus his phenomenal info info of anatomy subjects in his many publications.  Joe received a scholarship from artist Bridgman teaching at the League life class.  Great luck for Joe who lived in Chicago, and attended the Chicago Institute Of Art.  Joseph Wancho had to change his name eventually, due to the UPAF / UACE in this occupied territory.  Race is everything turning the world backwards!  After 775 B. C., the Italic people claimed the Peninsula and Islands, Roma became their  Capital.  Five and a half centuries later, with the help of their Phenomenal Phoenician heritage, invented the second STEP/ WALK / HOP / SKIP / JUMP / RUN advanced civilization of comfort / pleasure / et cetera!

                           `EVERY THING YOU KNOW IS WRONG'

JOE KEPT THIS LIVE WIRE PRIORITY WITH PROJECTS, NOT VERY MANY COPYING IN BLACK AND WHITE.  THE REASON IS YOU MAY BE BLESSED WITH VALUES.  FROM WHITE AREAS TO GRAYS IN BETWEEN BLACK OR WHITE.  THE RELIGIOUS ART IS A WORK OF HENRY MANET.  MANET MADE BEAUTY.

THIS SKETCH ABOVE IS A RATHER LARGE THUMB NAIL.  JOE KIDD SELECTS THE LATEST 3 TO 4 WORKS TO PAINT A MAJOR STUDENT FINE ART.   SUMMER SCHOOL WAS NEXT FOR THIS SELF MADE ARTIST WITHOUT LEARNING INFORMATION [SKILLS] FROM 18 FACULTY ANGLO-SAXONS.  THEY HAVE BEEN CRIMINAL THE SAME UPAF / UACE HAD THE RIGHTS OF N. Y. EMPIRE STATE B. O. E. TO ALWAYS DECLARE  THEY ARE EXPENDABLE IN PEACE OR WAR.  ALL OF THE ANTI ITALO AND BLACKS WERE FLUNKED BY DIFFERENT FACULTY MEMBERS BREAKING THE LAW BY CONTROLLING OUR RIGHTS.  ALL 15 A-S WERE THE SAME RACE. THEY ARE THE SAME NATIONALITY WITH ALL THEIR CRUEL RIGHTS FOR MILLENNIUMS. NONE FOR L W I, WHICH HAVE THE BEST BRINGING UP .....WE HAVE TOO GOD DAMN MUCH RESPECT FOR THE LAST THE UPAF / UACE.  THE SAME FOR VERY FEW BLACKS.  THESE 15 HAVE RIGHTS TO FRAUD SEGREGATE MANIPULATE, ET CETERA.  THEY HAD MANY FAILURES, ESPECIALLY THE PHONY MISS. GORTON'S 3 POINTS TO FAIL US.  SUMMER SCHOOL WAS A HITCH HIKING TORTURE 20 MILES ONE WAY TO WHITE PLAINS AND BACK TO MT. KISCO PREJUDICE HIGH.  ONE MORE BLAST IS ABOUT EXCESSIVE PRIDE, WHICH L W I WAS UNDERESTIMATING TO JUDGE THIS PEN AND INK RUFF.  BUT 97 PERCENT OF JOE RATING L W I, WAS OVER ESTIMATING.  HE WAS CORRECT THEN AND THERE .....JOE IS THE EXPERT.  THIS QUICKIE MEDIUM SIZE THUMB NAIL WHICH CAME FROM JOE'S PAD, WAS THE FIRST SKETCH OF A GROUPING, IS A KNOCK OUT NOW.  THIS WAS STILL IN OCTOBER 1947.  IN LESS THAN 9 OR 10 DAYS WITH JOE, PROGRESS WAS FROM COURAGE.  SOOOOOOOOOOOOOOO WAS COURAGE PROGRESS.  HARDLY EVER HAD JOE NEEDED TO SAY, ALFRED, "NEVER LET YOUR HEART BE TROUBLED, NOR LET IT BE AFRAID!" THIS RUFF SKETCH BROKE THE ICE OF FRAUD ANGLO-SAXON TEACHING RATED BY RACE.  RACE IS EVERY THING, WHICH THE UPAF / UACE ARE  THE DOMINATOR OF THE [GPAF], GOOD POWER AND FORCE!  JOE DROVE `ONE ON ONE' TO THE NEWARK SCHOOL OF FINE ARTS WITH THIS STUDENT FOR THE FIRST TIME.  AFTER THE FULL DAY OF INSTRUCTIONS WITH ALMOST 65 STUDENTS [97 PERCENT WERE GI'S] WHICH WERE THE ONES WHICH CAME BACK IS WHY THEY WERE SERIOUS.  THEY WERE VERY GRATEFUL TO HAVE NOT ONLY JOE, BUT THE COMBINATION OF HOWARD PYLE AND HARVEY DUNN.  JOE DID NOT GRASP / TAKE NOTES / OR TAPE RECORD DUNN'S WORLD OF PYLE.  JOE HAD A BRILLIANT MEMORY TO LISTEN AND REPEAT PHENOMENAL ARTISTS WORDS OF THEIR WAYS OR MASTER PIECES.  WE ARE ON RECORD WITH THE L W I SKETCH, WE WERE THERE IN THE RESTAURANT AFTER THE ART SCHOOL CLOSED.  LAUGHLIN WAS ON THE LEFT, WATERHOUSE WAS TO THE RIGHT OF JOE.  WORD GOT AROUND THAT THE LADY STUDENT WAS ALMOST GOING TO HAVE A NERVOUS BREAK DOWN.  WHICH HER MAIN PROBLEM MUST HAVE BEEN TOO MUCH TO SOON TO ABSORB KIDD: THE MOST PROLIFIC ARTIST / THE MOST PROLIFIC INSTRUCTOR OF ALL MEDIUMS / PLUS EVERYTHING YOU KNOW IS WRONG / JOE KIDD IS THE ANSWER!  ALL OF US ARE THE LUCKIEST FROM THE EAST COAST TO THE WEST.  ONLY JOE EXISTS, BECAUSE HARVEY DUNN HAD GOOD AND BAD DAYS AS A RESULT OF LASTING ALL MOST 2 YEARS IN THE WW I FRONT LINES.  CAPTAIN DUNN WAS THERE TO MAKE ART STUDIES TURN INTO PAINTINGS OF ART HISTORY .....WHICH, ONLY PYLE, NEXT KIDD QUALIFY.  DUNN WAS STRUCK MORE THAN ONCE IN TRENCHES AND OUT BY GERMAN ARTILLERY SHELLS WITH POISON GAS.  JOE IS A WALKING PYLE AND DUNN PLUS THE TREMENDOUS NUMBER OF ARTISTS FROM THE 12TH CENTURY.  JOE KIDD WAS THE ONLY REAL WORLD OF OVER POWERING ARTISTS GOOD POWER AND FORCE AT ONCE.  HE OPENED THE REAL WORLD TO THE ONLY YOUNG LADY WHICH CERTAINLY SOAKED UP TOO TOO MUCH, TOO TOO SOON .....BECAUSE L W I WOULD NEED ANOTHER LIFE, TO ACCOMPLISH 2 AN 3 PERCENT OF KIDD'S 97 PERCENT!  JOE CAN TIP TOE, BUT NOT WHEN A BIG PERCENTAGE OF DOUBLE SERIOUS SOLDIERS WITH INJURIES / SHELL SHOCK / YEARS LOST / CHOSE THE GREATEST PROFESSION OF SENSE - FELLING ONLY NON HOSTILE - NON HOMICIDAL FROM NOW ON .....WHICH IS MAKING BEAUTY!

THE FIRST PICTURE FROM LIFE OUT OF MY ROOM ABOVE JERRY'S, 19was in IS THE SIMPLE LIFE.  WHICH OFTEN TIMES CAN LEAD TO MAKING BEAUTY [PRACTICE MAKES PERFECT] .....ESPECIALLY WHEN JOE SELECTED THE THUMB NAIL SKETCH BELOW.

THIS OPAQUE WATER COLOR COMPLETED BEFORE SEPTEMBER 1947! NOT FOR SALE

THE MOST PROLIFIC OF ALL ARTIST IN THIS HEMISPHERE.  NO ONE BUT L W I [LIVING WHILE ITALO] HAD THE LUCK / TIME / PLACE / PEACE / RESPECT / BEST BRINGING UP. PARENTS AND RELATIVES WERE AWARE OF THIS, IT WAS UP TO JOE, TO POINT OUT IF HIS L W I STUDENT OF 17 .....THIS TIME WILL BRING UP THE ITALO TRADITION OF `MAKING BEAUTY IS IN THE GENES.  AFTER 12 WASTED YEARS OF UACE, [UGLY ABUSE CHEATING EXCLUSION TO HAVE SLAVES], HOPEFULLY NO ONE BUT JOE, COULD HAVE HAD THIS STUDENT, JELL IN 6 MONTHS .....NOT THEIR PAST 5.5 UPAF / UACE YEARS OF MT. KISCO PREJUDICE SCHOOL.

JOE MAKING BEAUTY IN HIS DEMO CLASS, UPSTAIRS AT THE ART STUDENT LEAGUE.  LATER WE HAD OUR FOTO TAKEN IN FRONT OF THE LEAGUES MARQUEE.  WE ARE NON HOSTILE - NON HOMICIDAL SENSE - FEELING VERY FRIENDLY AND SHARING.

JOE IS DEMONSTRATING WORKING WITH OILS FOR AN ART GROUP IN PARAMUS, N. J.  WHEN JOE WORKS ON A LARGER MASONITE OR CANVAS, HE PREPARES A GOOD SIZE AREA ON THE PERIMETER THAT IS 97 PERCENT FINISHED.  THE SAME AREA IS COVERED WITH BROWN PAPER.  THEN JOE PENCILS IN THE CENTER SECTION AT HIS STUDIO.  AFTER THE DEMO IS COMPLETED .....HE TEARS OFF THE PERIMETER BROWN PAPER, AND WA LA .....THE AUDIENCE IS THRILLED OVER HIS BEAUTIFUL SURPRISE.

 JOE NEED NOT RESEARCH FOR THE MAJOR SUBJECTS OR MINOR TO PAINT.  THERE IS A PARODY TO WHICH WE BOTH REACHED PERPETUAL MOTION.  JOE TOOK CONTROL OF THIS COMPOSITION FROM THE FIRST LAYIN.  HERE ON, JOE LETS IT FLOW [HAVE NEVER WITNESSED JOE IN DIFFICULTY], 97 PERCENT ONWARD WITH PERPETUAL MOTION TO THE FINISH PICTURE.  YOU BETTER HAVE LOCKED IN PERPETUAL MOTION IF YOU RACE YOURS TRULY DRIVING ENDUROS OR SHARE 12 TO 24 HOUR MAN AND HIS  MACHINE.  SOME DRIVERS NEVER REACH THE JOY OF PERPETUAL MOTION, IN ORDER TO CONCENTRATE ON THE BIGGEST DANGER .....EVERY DRIVER  GET TO KNOW THEM BETTER WITH PERIPHERAL VISION

JOE STANDS PROUD NEXT TO THE MEDICI'S CHURCH [PART OWNER DAVID ROCKEFELLER] THAT HAS BEEN COMMISSIONING HIM OFTEN.  THIS L W I, WAS SOOOOOOOOOOO GLAD FOR JOE'S LIME LIGHT.  ONCE JOE SUGGESTED TO TAKE A RIDE AND SEE HIS PAINTING `SERMON ON THE MOUNT' AT THE CHURCH WHERE HIS FAMILY PRAYS.   WHERE JOE IS STANDING .....HE REACHED IN HIS POCKET FOR A KEY CHAIN.  HE HAD ONE OF THE KEYS TO THIS DOOR ENTRANCE INTO THE CHAPEL.  GOD HAS BLESSED JOE A MILLION TIMES.

`EVERYTHING YOU KNOW IS WRONG'

TO US ARTIST ARTISTS, JOE IS GREATER THAN GREAT.  THE SAME WAS TRUE FOR HARVEY DUNN'S PROS.  EVERY STUDENT BEFORE HARVEY DUNN AND AFTER, WAS CHOSEN TO STUDY WITH HOWARD PYLE [FROM 1902 TO 1904] WERE DAMN SURE THEY REACHED THE TOP OF THE MOUNTAIN .....NO MATTER IF THEY SUCCEEDED OR FAILED THE REST OF THEIR DAYS.  PYLE / DUNN / KIDD TOWER OVER EVERY  WYETH / WHISTLER / HOMER / EAKINS / SERGEANT / ROBERT HENRI / MARY CASSATT  / FREDRICK REMINGTON / GEORGE BELLOWS / ET CETERA.  FURTHERMORE, THEY COULD CARE LESS ABOUT INSTRUCTING, BECAUSE THEY ARE 97 PERCENT CONVINCED OF THEMSELVES THEY DID NOT OUT PERFORM THE VERY SAME [GPAF], GOOD POWER AND FORCE, RATED BY THE 1ST 3 ARTIST ARTISTS, WITH THEIR GENETIC DRIVE AND PHENOMENAL KINDNESS.....IF THEY WERE NEAR AS GREAT, TO PYLE, DUNN OR KIDD!  WHICH HAVE REACHED THE EPITOME OF ART AND SOUL. THE 1ST 3 WOULD CONSIDER THEMSELVES AS FAILURES.  IF THEY DID NOT OWN THE TOP OF A MOUNTAIN, WHAT WAS THERE TO SHARE INSTRUCTING?  ANOTHER FACTOR OF ALL 3, PYLE MUST HAVE BEEN IN HIS PRIME AT A VERY YOUNG AGE.  DUNN WAS, BUT KIDD BECAME THE YOUNGEST, AT 19!  THERE GPAF, ALLOWED THEM TO BE FREE TO FLOW WITH EXUBERANCE.  PYLE COULD HAVE BEGAN SELECTING STUDENTS IN A MOST UNIQUE, IDEAL PLAN .....TO SELECT STUDENTS FROM ART UNIVERSITIES OR COLLEGES.  DUNN RECEIVED THE SAME OPPORTUNITY FROM PYLE TO STUDY WITH HIM.  THERE WERE MORE STUDENTS ALONG IN PYLE'S CONVENIENT ROOM AND BOARD FACILITIES NEXT TO HIS HOME.  AFTER STUDYING WITH PYLE FOR THE YEARS 1903 AND 1904, HOWARD PYLE TOLD DUNN, "YOU ARE READY TO FIND A ROOM AND LOOK FOR WORK."  BY 1906 HARVEY WAS SUCCESSFUL SELLING HIS PAINTING OF BEAUTY ON CANVAS TO PUBLISHERS.  PLUS STARTING WITH ANOTHER ARTIST NAMED CAMPBELL, IN 1906, BOTH OPENED AN ART SCHOOL OF INSTRUCTION!  DUNN KNEW THIS WAS ALSO A WAY TO IMPROVE HIS ART KNOWLEDGE SOONER.  WHEN JOE SPOKE OF ART, WHAT, NOT HOW, BUT KNOWLEDGE WITH SENSE - FEELING, 97 PERCENTERS LISTENED.   FROM HOWARD PYLE'S FIRST START IN THE CLASS ROOMS TO PASSING AWAY .....PYLE DEVOTED 33 YEARS - HARVEY DUNN 33 YEARS - JOE KIDD 31 YEARS IN THE CLASS ROOM, WAS NOT ALL. TRUE, HOWEVER, THERE IS MORE THAN IN THE CLASS ROOM' HOW THEY OVERLAPPED .....ADD ANOTHER 10 MORE YEARS TO EACH OF THESE MASTER-ARTISTS FOR AFTER ARTISTS HOURS FOR: LECTURES / STUDIO VISITS / MUSEUM - GALLERY MEETINGS / PHONE CALLS / ET CETERA. 

PYLE - DUNN - KIDD HAVE NO COMPOSITION COMPETITION IN THIS HEMISPHERE.  IT IS IN THE GENES REGARDLESS, AS LONG AS HOWARD PYLE WAS FIRST WITH BEAUTIFUL PICTURES, HIS WRITTEN PROSE SENSE - FEELING YOUTH WITH DRIVE [SOMETIMES DRIVE IS FIRST, IF NEVER .....FIND A JOB].  PYLE HAD EVERY ABILITY FROM A VERY YOUNG AGE.  IF THE NEW STUDENT HARVEY DUNN WAS CHOSEN BY PYLE, WHO JOURNEYED FROM SOUTH DAKOTA IN 1902 TO MAKE PICTURES, PYLE WAS ALMOST CONVINCED OF HIS PROLIFIC IMAGINATION ABILITY AND DRIVE.  IN ONLY 2 YEARS OF HOWARD PYLE INSTRUCTIONS, DUNN WAS READY IN 1904 [LIKE SHOT OUT OF A GUN] TO LOOK FOR ART WORK.   

THE LEGEND OF SLEEPY HOLLOW BY AUTHOR WASHINGTON IRVING

ICHABOD CRANE ABOARD GUNPOWDER / BROM BONES ON DAREDEVIL IN HOT PURSUIT!

THE CHAPEL DOOR IS LEFT OF THE LARGEST TREE IN THE BACKGROUND.  THIS PAINTING BY JOE KIDD WAS A FEW YEARS LATER THAN THE `SERMON ON THE MOUNT.'  NOTE THE 50 FEET STAIN GLASS MURAL BY HENRI MATISSE TO THE FAR RIGHT.

THERE ARE 12 CHAPTERS IN "SHUT UP AND PAINT". JOE HAD THE NAME FOR THIS TITLE BEFORE ALL HIS TEXT WAS WRITTEN.   THIS PUBLICATION IS BEING PRODUCED BY L W I.  ONE OF THE CHAPTERS IS ABOUT RELIGION ILLUSTRATED.

EVERY MALE, 8 OF THEM IN WHOLE AND PARTIAL HAVE BEEN TOGETHER ENJOYING ART FROM  SEPTEMBER 1947.  STANDING LEFT TO RIGHT ARE GOULD HULSE AND CHARLIE WATERHOUSE.  THE FIRST MALE ON THE RIGHT IS JOE KIDD WHO HAS BEEN TO MANY VISIT AT THE CHARLIE WATERHOUSE HOME HERE IN FORDS, NEW JERSEY.  THE YEAR IS EITHER 1985 OR 1986.

THESE 9 ARTISTS WERE SELECTED BY HARVEY DUNN TO DISPLAY THEIR PICTURES.  IT SO HAPPENS THESE 9 ARTISTS PAINT BIG, ESPECIALLY DEAN CORNWELL, THE LEADING MURALISTS IN THIS HEMISPHERE. 

THE FOLLOWING PICTURE ART REPRESENTS JOE KIDD'S BLACK / WHITE AND GRAY.  THE TITLE IS CHOSEN BY CHARLIE WATERHOUSE WHO PUBLISHED JOE KIDD'S PEN AND INKS.

BY JOVE JOE CAN DETAIL!

WHO ELSE IS AS FAR FETCHED AS JOE KIDD'S GENIUS TO CAPTURE BEAUTY.  IT IS THE TEXTURE

 OF DIFFERENT FABRICS WHICH TAKES YOUR BREATH AWAY.

ANOTHER OF SO MANY SIMILAR UNIQUE SUBJECTS, 97 PERCENT OF ARTIST BEFORE JOE KIDD AND AFTER .....L W I DID NOT HAVE TO BE THERE TO SAY, "MAKE ME ONE LIKE ABOVE!" JOE KIDD IS ONE-OFF. FURTHERMORE, THE 2 AND 3 PERCENTERS DO NOT EXIST EITHER.  JOE .....HAS THOUSANDS OF MASTERPIECES AND NO LIME LIGHT.  HIS PUBLICATION WILL AWAKEN THIS HEMISPHERE TO ARTISTIC: BEAUTY / ENTERTAINMENT / SOOOOOOOOOOOOOO PROLIFIC OF A BRILLIANT COMPOSITION MIND WITH DRIVE, IN LOVE WITH MAKING PICTURES OF MORE SUBJECTS MOODS .....IN FACT, INFO INFO INFO PICTORIAL.  ARTISTS REMINGTON AND RUSSELL HAVE LIME LIGHT FOLLOWERS!  THEIR COLLECTORS MUSEUMS GALLERIAS WHICH THESE 2 SPECIALIZED PAINTING HORSES' EXCESSIVE PRIDE EXCESSIVE MEMORY EXCESSIVE MEDIAS IS LONG OVER DUE TO ENJOY STEVEN R. KIDD. 

JOEY JOEY, HOW BRAVE CAN YOU BE TO TACKLE WHERE THE 97 PERCENTERS

OF OTHER PEN AND INK ARTIST `HAVE A FEAR OF HEIGHTS

 AND DRAWING'! CREDIT KIDD FOR A MASTERPIECE,

JOE KIDD AND BROTHERS BROOK IN AMAWALK, N. Y. HAS A GREAT DAY MAKING A LAYOUT ON CANVAS OR MASONITE BOARD WHICH  TAKES ABOUT 2 HOURS PLUS TO FINISH.  GET HOME AND START THE THE SECOND LAY IN.  DO NOT GO BACK TO BROTHER BROOK, IF YOU DO .....YOU MAY BE A GREAT PAINTER, OR BECOME ONE.  HOWEVER, GREAT ARTISTS KNOW FROM WAY BACK,  THEY LEARNED YOU CAN MAKE A KNOCK OUT OF A PAINTING WHEN YOU HAVE MANY MORE DAYS OF WORK IN YOUR STUDIO.  IF YOU SLEEP OUT THE DAYS AT THE BROOK, INTENDING TO PAINT THE FINISH ....YOU LOOSE.  BUT NOT WHEN YOU ARE UNDER FULL CONTROL WITH TUNNEL VISION IN A STUDIO.  THERE IS SO MUCH MORE TO ATTRACT YOUR ATTENTION ON THE SITE, HUNDREDS OF TREES ROCKS, SHADOWS, WATER, ET CETERA  YOU LOOSE!

.

ANOTHER JOE KIDD MASTERPIECE. WHERE ARE THE TOP PEN AND INK EXPERTS THAT LIVE IN THE TRI STATE AREA FOR DECADES, FALL DOWN AT BEING JOE KIDD PROLIFIC AND DOUBLE CREATIVE.  THIS ART BEAUTY WILL LAST FOR CENTURIES.  THE PROOF OF THIS STATEMENT IS COMING CLEAN.  CHARLIE WATERHOUSE PRINTS THE FACTS OF WHO RATES OVER 200 YEARS OF PEN AND INK COMPOSITION BEAUTY TOGETHER WITH PROLIFIC SUBJECT MATTER!

REMEMBER DURING THE FIRST 4 YEARS WATCHING JOE MAKE THUMB NAILS / DRAW / USE BLACK INK / PAINT SMALL OR BIG, HE WAS NEVER IN TROUBLE.  WHO OTHER THAN JOE, CAN ILLUSTRATE THE MOST BORING DUMBEST FICTION OR NON FICTION, IN RICH OR POOR PULP PUBLICATIONS, ART BY KIDD, READERS WILL ALWAYS BE PLEASED. 

JOE / JOE / JOE / WITH ANOTHER MASTERPIECE CREATED IN 1938.  A 12 YEAR CLOUD 9 WORLD OF HARVEY DUNN SCHOOL IN THE N. Y. C. GRAND CENTRAL BUILDING, SO MANY GREAT ARTISTS BECAME OUT PERFORMERS.  IN 1951 JOE WANTED ME TO HAVE THIS ROMANTIC BEAUTY OF PEN AN INK ART.  HE IS FOREVER GIVING!  BOTH HARVEY DUNN AND HIS INSTRUCTOR HOWARD PYLE WERE ALSO VERY KIND AND SHARING. 

L W I [LIVING WHILE ITALO] THE MOST SHARING FRIENDLY NON HOSTILE - NON HOMICIDAL, SO WAS JOE ALWAYS KIND, IN 1951 THIS PEN AND INK WAS HANDED TO ME BY JOE .....JUST LIKE HE HAD THE IDEA FOR A LONG TIME.  L W I WAS OFF TO A GREAT START COLLECTING, JOE'S PROLIFIC VARIETY OF HIS ART. 

ARTIST / ARTISTS BELIEVE JOE WHEN HE SPEAKS.

A QUOTE FOLLOWS FROM THE ASSOCIATION OF ST. VALENTINE'S NIGHT BALL IN 1936.  A PORTION OF A REVIEW, WHICH THE "NEW YORKER" RE-VISITED AGAIN AUGUST 14, 1978, REPORTED OVER THE EXQUISITE PEN AND INK OF STEVEN KIDD.  JOE KIDD WAS 25 THEN, LIVING IN A TUTOR CITY PEN HOUSE AT THE FAR EAST END OF 42ND STREET  IN N. Y. C.

WHERE IS THERE AN ARTIST THAT CAN DRAW AND LETTER THE DIFFERENT MOODS SUBJECTS ET CETERA, AT THEIR CHARISMATIC BEST TO SATISFY THE ART DIRECTORS OR EDITORS. ONCE THEY KNOW JOE'S RANGE, NO NEED FOR ASKING JOE , "DO YOU THINK YOU CAN MAKE A KNOCK-OUT PICTURE OF THIS DULL STORY?"  JOE ALWAYS HAS AN URGE AROUND CHRISTMAS TO NEW YEARS WITHOUT PRODUCING RELIGIOUS ART.

"

WHERE IS THE LOVE WHICH JOE HAD ABOUT RELIGION, WHICH REMINDS L W I [LIVING WHILE ITALO] ARTISTS LIKE: ANDREW WYETH / THOMAS EAKINS / WINSLOW HOMER / MARY CASSATT / GEORGE BELLOWS ON AND ON OF SOOOOOOOOOOOO MANY NAMES, WERE NOT ONLY POPULAR WHILE LIVING, BUT HAD AS MUCH LIMELIGHT AFTER THEY DIED.  THESE ARTIST STILL RATE IN THE TOP 10, BECAUSE EVERY THING THE UPAF / UACE [UGLY POWER AND FORCE  / UGLY ABUSE CHEATING EXCLUSION] HAVE TAKEN CONTROL BUT ARE FAILURES!  INCLUDING THE MUSEUMS / GALLERIES / CRITICS / MEDIA / COLLECTORS ARE 97 PERCENT IN THE WRONG OCCUPATION. 

ANOTHER KNOCKOUT OF A KIDD DRAMATIC PICTURE / COMPOSITION / BEAUTIFUL DRAWING OF FIGURES.  THIS SLAVE-0-MATIC WAS STILL LEARNING FROM ONES SELF, BUT I RATHER FROM JOE. NOW AND THEN JOE WOULD SPEAK UP TO SAY ....."LOOK IN THE MIRROR.  IT IS THERE, WHERE YOU WILL FIND THE BEST TEACHER."  OK FOR PYLE / DUNN / JOE, BUT NOT S-0-M WHO DOES GET INTO TROUBLE WITH A COMPOSITION, OR FAILURE TO GET IN THE SPIRIT AND THOUGHT.  HOPEFULLY NEVER WITH THE IDEA ON TO THE FIRST LAY-IN.  FROM THEN ON, GET IN TO DRIVE IN ORDER TO AVERAGE OUT 8 OR 9 OF 10 PICTURES WHICH YOU FEEL ARE SUCCESSFUL!

JOE KIDD READ THIS STORY `SCRIPT ' TO ILLUSTRATE THESE 2 PEN    

& INK COMPOSITIONS. THE N. Y. NEWS PAPER PUBLISHED ON DEC.

25, 1949.  PAGE ONE IS BELOW AND CONTINUES TO PAGE 2.

THE 30

FOR A CHANGE, JOE HAD SOME ONE ELSE BE THE AUTHOR, CHARLES WATERHOUSE.  WHEN L W I WAS TOGETHER IN JOE'S ART CLASS OF 65 MEN AND ONE WOMEN WHO LIVED TO TAKE JOE'S CLASS IN SEPTEMBER 1947 .....AFTER WWII MILITARY LET THEM GO.

THIS IS THE FRONT AND THE BACK COVER WHICH CONTAINS ONLY STEVEN R. KIDD'S PEN AND INK PICTURES.  KIDD LIKED TO BE CALLED JOE, BETTER YET MAKE BEAUTY BY DRAWING 7 / 24, 12 MONTHS A YEAR.   BOTH THE PUBLISHER CHARLIE WATERHOUSE AND A SOON TO BE PUBLISHED, "SHUT UP AND PAINT" WHICH JOE FOLLOWED BY SUGGESTION, `TO WRITE A BOOK'!  FOR A YEAR AND 6 MONTHS, NEITHER OF US BROUGHT UP  TEXT PROGRESS OR MENTIONED THE CLEVER TITLE.

THE BACK COVER OF "ILLUSTRATIONS IN

BLACK WHITE AND GRAY"

THE BOOK PRICE IS $16.00 PLUS $2.00 FOR MAILING P. P.

THERE ARE 160 PAGES

WITH 2 AND 3 PEN &

INKS IN MORE THAN

80 PAGES.  THERE IS

ALSO THE FIRST PEN

& INK WHICH WAS

HIS FIRST ART IN

BUSINESS AT 16

 IN 1927, FOR THE

LARGEST NEWS

PAPER FROM COAST

     TO COAST.

JOE KIDD ALWAYS MADE BEAUTY AND ARTIST PLEASURE  BEFORE HE WAS A TEEN. STILL MORE, IS WE STUDENTS NEVER KNEW HOW TO THANK JOE FOR OUR LIVES

HOPEFULLY A FOLLOWING OF JOE'S ART, FOR MORE THAN HALF A CENTURY AS THE PEN AND INK MASTER, THAT OUT PERFORMED THESE GREATS, ON THIS BACK COVER PROVES FACT.  I KIDD YOU NOT', IF BY CHANCE YOU LIKE DRAWING, YOUR OWN OR ADMIRE ARTIST ARTISTS DRAWINGS, JOE KIDD HAS THE MOST PROLIFIC PEN & INK WORKS IN THE ABOVE PUBLICATION OF OTHER AMERICAN ARTISTS!"  THE MOST PROLIFIC ARTISTIC MIND USING THE 3 MOST POPULAR MEDIUMS IN FULL COLOR WILL BE PRINTED WITH 200 OF JOE KIDD'S PAINTINGS IN "SHUT UP AND PAINT"!

ART BY JOE KIDD

SOME OF THE 160 PAGES ABOVE AND BELOW IS A SOFT COVER "ILLUSTRATION IN BLACK WHITE AND GRAY"

OVER MORE THAN 3,000 PEN AND INK COMPOSITIONS WHICH 97 PERCENT OF THEM  WERE JOE KIDD'S ALSO HIS IDEAS.  WHERE WOULD ANDREW WYETH / J. S. SERGEANT / WINSLOW HOMER / THOMAS EAKINS / GOD FORBID DEMAND THAT NORMAN ROCKWELL USE HIS BRAIN FOR ONCE TO COMPOSE HIS OWN COMPOSITIONS.  RID HIS SQUAD OF PHOTOGRAPHERS, `LOOK MA NO FOTOS, IT'S JOE'S ART. 

`BY JOVE BY JOE'

                REMEMBER `SERMON ON THE MOUNT' FROM THE ROCKEFELLER CHURCH, BY JOE,

                         WHICH APPEARS IN THE "SHUT UP AND PAINT" ARTIST PUBLICATION!

HERE IS JOE KIDD ON ASSIGNMENT AFTER THE SECOND WWII WAS OVER IN PERSON IN TOKYO, JAPAN TO HAVE A MEETING WITH JAPANS GREATEST ARTIST, NAMED TSUGUHARU FUJITA.  ARTIST AND FISHERMEN SHOULD RULE GOVERNMENTS!  ARTIST FUJITA STUDIED WESTERN PAINTING IN EUROPA.  HE ASKED TO DRAW JOE'S PORTRAIT.  JOE DID NOT BRING THIS UP AT ALL.  JOE MUST HAVE RECIPROCATED MORE THAN ONCE TO DRAW FUJITA. JOE BECAME A WAR ARTIST AFTER BEING DISCOVERED IN THE ARMY INFANTRY NEAR MANILA IN THE PHILIPPINES.  HIS INFANTRY MOS WAS OFFICIALLY WITHDRAWN FOR AN ARTIST MOS2296 .....A MILITARY OCCUPATIONAL SPECIALIST.  HIS ASSIGNMENTS BEGAN IN MANILA AND FOLLOWED THE WAR PROGRESS TO KOREA WERE THE WAR ENDED.  IN NOVEMBER 29, DECEMBER 1945, AFTER JOE'S 3 HECTIC MONTHS CREATING PAINTINGS IN KOREA, HE WAS ASSIGNED TO TOKYO, JAPAN.  HARVEY DUNN, AN ARTIST OF GRANDEUR FAME [NO POLITICS] JUST A MIRACLE PAINTER WORLD WIDE WITH LIME LIGHT, WAS ASSIGNED THE RANK OF CAPTAIN BY THE ARMY.  IT WAS 1917, WHEN DUNN WITH AN MOS 2296 WAS ASSIGNED TO USE HIS ART IN THE FRONT LINE TRENCHES FOR 2 YEARS BETWEEN FRANCE AND GERMANY, WHERE DUNN `TOOK FIRE'.  POISON GAS FROM GERMAN ARTILLERY SHELLS, SHORTENED THE LIFE OF OUR PHENOMENAL PAINTER OF BEAUTY, WRITTEN INSTRUCTIONS "AN EVENING IN THE CLASS ROOM.

JOE KIDD [STEVEN R. KIDD] POSED FOR THIS COMBO RENDERING WITH A SOFT PENCIL AND DARK INK. 

THE PEOPLE OF JAPAN HAVE A SOFT SPOT FOR THIS ARTIST, HOKYSAI KATSUSHIKI A FEW CENTURIES A GO.  WHILE THE FAMOUS WORLDWIDE NIKENSHA PUBLISHER IN TOKYO, PRODUCED MORE THAN 300 ART PUBLICATION.  WHILE COMPLETING THE FINAL TEXT TO MATCH THE FOTOS FOR THE "FAZA / CAR GRAPHIC ABARTH GUIDE" WHICH MR. TAKASHIMA SELECTED FROM THIS L W I AUTHOR'S A. O. I. ARCHIVO COLLECTION.  THE PRESIDENT AND STAFF AGREED THAT "COSENTINO HAD EVERYTHING" FOR THEIR PRODUCTION TO BEGIN OUR ABARTH GUIDE.  SLAVE-0-MATIC BROUGHT A LARGE COLLECTION OF JOE KIDD'S ARTISTIC VARIETY IN THE FORM OF FOTO GRAPHICS.  THEIR CONFERENCE TABLE WAS PERFECT TO HOLD A VIEWING OF JOE'S ART.  BOTH OF THEM WERE VERY IMPRESSED ABOUT JOE'S PHENOMENAL VARIETY OF SUBJECTS AND MEDIUMS.  WAS JOE'S DISCIPLE SURPRISED, WHEN MR. WATANABE AND TAKASHIMA PRAISED JOE'S ART.  HOWEVER, THEY HAD ANOTHER COMMENT, HIS ART IS NOT OUR TASTE.

COME ON TO MY HOUSE, JOE ALWAYS KEPT IN TOUCH WITH SOOOOOOOOOOOOO MANY STUDENTS TO BECOME ARTISTS, AND THE PROS!  HE USED POST CARDS, WHICH L W I HAS SAVED.  EVERYTHING ARTISTIC MATTER WHICH JOE SAVED FOR BEAUTY, DISSEMINATED AS INFO / INFO / INFO WAS SAVED FOR US TO GET SERIOUS.  NOT EXACTLY "SHUT UP AND PAINT!"

JOE AND HIS WIFE MAURINE MOVED INTO A HOUSE IN MID 1947.  THEY WERE CLOSE TO OUR APARTMENT IN MOUNT KISCO.  TWO YEARS LATER, THEY MOVED INTO THIS HOME.  WHICH WAS FURTHER INTO THE COUNTRY WHERE THEIR FIRST SON WAS BORN.  THIS FOTO WAS TAKEN IN 1996 .....THE THOUSANDS OF STUDENTS WHICH STUDIED WITH JOE FROM THE FIRST 3 YEARS FROM 1947 AT THE NEWARK SCHOOL OF FINE ARTS, THEN FOR 28 YEARS, AT THE N.Y. CITY ARTS STUDENTS LEAGUE .....WOULD CONSIDER THIS HOME VERY SACRED.

JOE KIDD WAS COMMISSIONED BY THE BEER FACTORY GIANTS TO BRING BACK THE GERMAN BEER BURIERS BY SEARCHING FOR AN ARTIST THAT CAN ALSO LETTER.  ONLY JOE IS AVAILABLE TO CREATE NOT ONLY ONE KNOCK - OUT, BUT 6 BEER CANS. JOE ALWAYS DELIVERS PHENOMENAL BEAUTY, LETTERING INCLUDED.  ONLY THE TYPE SETTING ON EITHER SIDE OF THE YELLOW FACE ON THE BEER BARRELS WERE TYPE SET. THIS IS A MASTER PIECE, IF ONLY YOU COULD HOLD A JOE KIDD DESIGN AND ART.  

ARE YOU BRAINWASHED ARTISTS FROM COLLEGES AND UNIVERSITIES [WHERE THEY TEACH THUGGERY AND CONSPIRACIES], WHICH IS STAGE ONE FOR STUDENTS INTERESTED IN ENJOYING HUMANIZED ART SERIOUS OR NOT.  WARHOL SHOULD BE A FAILURE DUE TO HIS GIMMICKS JOKES, LACK OF TALENT, THAT DRAWS FOLLOWERS.  THE SAME GOES FOR THE NUTTY LOON HANGING A TIRE INSIDE A FRAME IN A NEW YORK CITY MUSEUM.  THIS JOKER FOREVER GETS THE LIME LIGHT, BECAUSE MOST OF THE UPAF / UACE LOOKERS HATE BEAUTY OR AFRAID OF SAME.  LIFE BEGINS FOR THE VERY YOUNG WITH A PENCIL TO MAKE LINES AND UNINHIBITED SHAPES WITH MARKS .....HOPEFULLY STRIVING FOR REALISM TO MAKE BEAUTY.  BY THE WAY, THE IDEA OF THE TIRE [AT LEAST HANG A DYNAMIC RACING TIRE].  THE TIRE IN A FRAME TO SHAME IS RAUSCHENBERG.  A HE, WHO WAS IN 2 OF MY CLASSES IN 1947 AND 48, AT THE ARTS STUDENTS LEAGUE.  MODERN ARTIST HAD A CHANCE HERE FROM 1935 TO 1965.  THEY ALL FAILED, THEIR WORK FAILED IN SPITE OF THE GREAT BAUHAUS MODERNS .....WHO TAUGHT AS FAR AWAY AS SAN FRANCISCO!  BECAUSE SOME MODERNS MANAGED TO GET AWAY FROM HITLER GERMANY BEFORE THEY WERE KILLED.  GERMANY IS WHERE THE BAUHAUS WAS BORN TO WELCOME THE GREAT INVENTORS TO MODERNIZE NOT ONLY PICTURES, BUT INVENT DESIGNS RE-DESIGN EVERY OBJECT PEOPLE MANUFACTURE.  AFTER 30 YEARS THE BAUHAUS WAS OPENED AND WELCOMED THE MODERNS FROM SEVERAL COUNTRIES.  THANKS TO THE ORIGINATORS OF THE MANY FIRST PROLIFIC MODERN ARTIST AND WHO JOINED TOGETHER TO  INVENT ABSTRACT AND SEMI ABSTRACT  ART.   MITF, [MORE IN THE FUTURE].

THERE WERE 4 MAJOR STUDENT PAINTINGS WHICH JOE SELECTED FROM SEVERAL OUTDOOR THUMB NAIL SUBJECTS IN COLOR.  `MAN IN A CANOE' BECAME THE FIRST MAJOR ART USING OIL PAINT ON CANVAS.  WE WERE VERY PLEASED OVER THIS PROVEN PROJECT!

BY JOVE .....BY JOE KIDD INSTRUCTIONS

THANKS JOE HOW YOU PASS ON INFO TO MAKE PROGRESS FOR L W I SOOOOOOOOOOOO EASILY.

A MAN IN A CANOE COULD BE CONSIDERED THIS FIRST MAJOR STUDENT WORK ASSIGNMENT FROM JOE KIDD.  AFTER THE WATER COLOR, CAR IN THE SNOW, L W I FELT IT SHOULD NOT BE THE FIRST, BECAUSE IT SEEMS A BIT PRIMITIVE.  JOE'S ASSIGNMENT GAVE THIS STUDENT A CHALLENGE TO PAINT WITH OILS FOR THE FIRST TIME.  FURTHER- MORE, JOE SAID, "THIS IS THE LAST WEEK IN SEPTEMBER, WHICH MAY TAKE YOU AS  LONG TO CREATE 30 DIFFERENT THUMBNAIL COMPOSITION IDEAS OF A MAN AND HIS CANOE.  WHEN THEY ARE FINISHED, I WILL SELECT ONE WHICH YOU WILL PAINT WITH OIL ON A 20 X 40 INCH CANVAS."  THE RESULTS OF THIS MAJOR STUDENT ART WORK JOE SELECTED THE ONE THUMBNAIL TO GET SERIOUS OVER, IS BELOW.

IN LESS THAN 3 MONTHS, AWAY FROM MT. KISCO PREJUDICED HIGH, L W I IS FREE [FOR THE MOMENT] TO CREATE A COMPOSITION WITHOUT FOTOS BUT WITH A PEACEFUL SUBJECT OF BEAUTY.  THE OPPOSITE 15 OF 18 ANGLO-SAXON UGLY POWER AND FORCE / UGLY ABUSE CHEATING EXCLUSIONS [UPAF / UACE], ALL TEACHERS WERE ANTI ITALIA AND NEGROS.  THEY WERE LOCKING ELBOWS BECAUSE OF THEIR  IGNORANCE / JEALOUS / RACISM / GREED OVER SLAVE-0-MATIC. 

THESE ARE THE 30 THUMBNAIL IDEAS FROM THE END OF SEPTEMBER 1947.  THERE ARE SOME FACTS ABOUT THE 20 X 40 SIZE CANVAS, ABOUT 1989, THE 20 INCH HIGH CANVAS WAS CUT 8 INCHES OFF THE TOP.  NEXT, THE NUMERO UNO WAS GIVEN TO A FAMILIA WHOM L W I MET IN SACRED GROUND.  DURING MAY 1963, IN ITALIA ON BUSINESS TO ROMA, MET THE CARROLL SMITH FAMILIA WITH HIS WIFE AND YOUNG BABY. CARROLL WAS DRIVING FORMULA JUNIORS ON HIS OWN, ALSO SECOND DRIVER ON THE RACE TEAM GIANNINI FAMILIA OF ROMA.  TO MAKE A LIVING, CARROLL WAS EXPORT MANAGER FOR GIANNINI MACHINING HI-PERFORMANCE PARTS SOLD TO ENGLAND.   

IN THE SAME YEAR, MAN IN A CANOE WAS PAINTED WITH OILS, BUT MAYBE IT WAS JOE WHO SUGGESTED TO USE BLACK INDIA INK AND REPEAT THE SAME PICTURE.  THIS DRAWING IS WHAT MADE PROGRESS CLOSER BY THE WEEK.  A HEAVY WOODEN FRAME WAS USED FROM CONSTRUCTION CRATES.  A FRIEND OWNED THE CRATES, THEN OFFERED TO MAKE THE FRAME.  THE LENGTH IS 50 INCHES AND THE HEIGHT 30 INCHES, PRICE IS $4,000.00.   THE SIZE WITH THE SAME FRAME IS 30 X 50 INCHES WIDE ON ILLUSTRATION BOARD WITH INDIA PEN AND INK LINE AND QUASH.

A BIG MOUTH FRESH WATER BASS FROM MY TIRE TUBE FIRST OCCASION TO WITNESS A PROTOTIPO OR LEARNED ABOUT THIS TESTING FROM MANY OTHER FISHERMEN.  THE BASE IS ILLUSTRATION BOARD, THE MEDIUM IS OPAQUE WATER COLOR.  THE SIZE IS 15.5 X 9 INCHES WITH A PRICE OF $450.00. 

WE WERE NOT PERMITTED TO SWIM OR FISH THE WAY IT APPEARS HERE, IN A GOOD SIZE SCRIBNERS POND.  WESTCHESTER COUNTY ABOVE NEW YORK CITY HAS MANY MANY HUGE WATER SHEDS [MAN MADE LAKES] TO SUPPLY FRESH WATER SOUTH TO NEW YORK CITY. OUR FAMILIA HAD VERY LITTLE FREE TIME .....6 X 24, DAY 7 WAS TUESDAY FOR US SLAVE-0-MATICS TO HAVE NO MORE OR NO LESS FREE TIME.  MY FATHER AND I WERE FISHERMEN AND GAME HUNTERS.  WE HAD 2 OR 3 ROW BOATS WHICH WERE LEGAL TO FISH, BUT MUST HAVE A STATE CERTIFICATE WITH A NUMBER FOR EACH BOAT. THE PRICE OF THIS THUMB NAIL WATER COLOR COMPOSITION AND SIZE [8 X 7 INCHES] ON PAPER IS $250.00 

\

 ALL THE PARAPHERNALIA IS WHAT YOU SEE .....FISHING AS LIGHT AS POSSIBLE TO BEAT THE             NORMAL SET UP THAT HAS MUCH LESS LUCK WITH A DAILY LIMIT OF 6. 

YOURS TRULY, COME OCTOBER WILL NOT GO IN THE WATER MUCH LIKE THIS.  BUT HAVE A SHIRT ON WHILE FISHING FROM THE TIRE TUBE. THE WATER WAS WARMER THAN THE AIR AND BREEZE,  THE LONG SLEEVE SHIRT WAS EXTENDED THIS IDEA TO ENJOY MORE STRIKES, MORE RESULTS THAN ANY OTHER OFF BEAT AND BRILLIANT MANNER! TWO YEARS LATER THE TIRE TUBE AND FISHING LURE COMPARTMENTS WERE MORE PROFESSIONAL.  DO NOT TRY THIS UNLESS YOU CAN SWIM.

ON THE RIGHT IS A RAINBOW TROUT TAKEN FROM BELOW THE DAM OUTLET FROM THE EASTERN WATER RESERVOIR OF KATONAH IN WESTCHESTER COUNTY.  THE 8 CATCH OF TROUT ARE NATIVE BROOKIES.  WE HAD ANOTHER TROUT CALLED THE BROWN WHICH WAS IMPORTED FROM EUROPA.  THE RAINBOW MAY NOT BE A NATIVE, THE ODDS COULD BE A TAKE OFF OF THE NORTH WEST LAND LOCKED COAST SALMON. THEY BOTH COME TO THE SURFACE FAST WHEN THEY ARE HOOKED.

WE ARE PUT-EM BACK OR THROW THE FISH BACK, CALLED CONSERVATION FOR

SLAVE-0-MATIC.  BACK 50 YEARS AGO THERE WAS LESS POPULATION

                          AND IGNORANCE.  INSIDE THE NET IS A 12 INCH RAINBOW TROUT.

PEACE FOR THOSE FISHING FROM A ROW BOAT AND L W I FROM A TIRE TUBE CATCHES MORE FISH. PRICE FOR THIS THUMB NAIL IS $700.00 SIZE IS 7.5 X 6.5 INCHES OIL COLOR ON MASONITE.  FOR A 30 X 40 INCH LOOK A LIKE OIL PAINTING, COMMISSION SLAVE-0-MATIC FOR $3,000.00?

ARTS STUDENTS LEAGUE IN [TBRR], THE BIG RAT RACE IS ON 57TH STREET WEST WHERE THERE WAS A MUST TO STUDY ANATOMY FROM LIFE CLASS MEN AND WOMEN MODELS.  IN THE 1ST OF DECEMBER, JOE KNEW, NOT ONLY WAS THIS CLASS A MUST, ALSO 2 OTHER CLASSES OF WELL KNOW ARTISTS.  JOE, CAN PICK THEM, AN ITALIANO PART WEIRD ARTIST THAT LIKED TO MAKE PICTURES OF NUNS.  THESE FOTOS WERE FOR FILES AND PLANED TO TAKE BETTER FOTOS FOR THIS WEB SITE, BUT MISPLACED THEM.  THEY WILL BE FOR SALE EVENTUALLY!   THE ART IS NOT CURRENTLY AVAILABLE.  SLAVE-0-MATIC WILL DELIVER EVENTUALLY.  PLUS THE ENTIRE WEB SITES NEEDS MAJOR EDITING / THE SAME TO REPLACE FOTOS / AND IMAGES.

MORE OF THIS FIRST SERIES WITH A NORMAL SOFT PENCIL.  THIS WAS L W I  AT THE NATIONAL ACADEMY OF DESIGN WHICH WAS THE FIRST TRY AT LIVE MODELS.  AFTER THE VERY LIGHT PENCIL SWIRLS IS AT TIMES [97 PERCENT], L W I IS FINDING HIS WAY TO THE TRUE GESTURE .  TRUE THE SWIRLS ARE OVERDONE WITH THIS PENCIL GUIDING THE ARTIST HAS TO GO.  HOWEVER, THE FUTURE OF THE HUMAN MACHINE, WHICH IS OFF TO A GOOD START.  THE ONLY ARTIST LEFT AS AN INSTRUCTOR WAS THE DEAN, MR. CHARLES HINTON.  THIS ACADEMY WAS THE MOST PRESTIGIOUS INTERNATIONAL ARTIST SCHOOL, NOT DURING L W I TIME.